I wonder how many stranger’s stories we make it into? You know, maybe someone saw you in passing and told their friends about how pretty the girl in the lavender sweater was. Or maybe they overheard you say a joke and repeated it to their friend, confessing that they heard it from some guy at the store. 

(Source: bellecosby, via allythehuman)

“…And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.”

- Pablo Neruda, Poetry  (via thatkindofwoman)

(Source: introspectivepoet, via thatkindofwoman)

cjwho:

Milbank, São Paulo, Brazil by Triptyque | via

From the architect: After realizing the building of Milbank, the international law firm commissioned Triptyque to carry of the interior design. The agency Triptyque proposed to build a unique and historic collection of Brazilian design.

The office furniture Milbank tells 95 years of Brazilian design history. Triptyque, already in charge of the building’s architecture, has created a walk through the history of Brazilian design between objects, their designers, their times. To let this walk free, Triptyque has created spaces who change according to the opening of sliding wood and thanks to the transparent spaces, replacing concrete walls with glass doors. The interior design is a reinterpretation of the traditional organization of an office (succession of workrooms). The Triptyque created workspaces with precious pieces of Brazilian design icons: the conference room table is signed by Niemeyer, the “São Paulo” chairs in the reception are made by Paulo Mendes da Rocha, the lawyers’ offices are decorated by pieces signed by Sergio Rodrigues. ..

It was a real challenge for Triptyque to describe and summarize the Brazilian creation. Just like Brazil, the coherence of the collection lies in its diversity: Brazilian production is affected by the processing of materials, the simplicity of the shapes and sometimes, the rudimentary use of technology. There is plurality also in the origins of this production: the Portuguese reference and African intervention create a modern production now belonging to popular taste.

Photography: Pedro Kok

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